October 1st, 2009 by admin
There are music biz roles that need almost any skill base that you can bring to the job, and the coaching needed varies with each of the music biz jobs that can interest you. These are some general laws for finding work in music business roles. It is not a necessity for music biz roles, but loving music of any type is a definite step in the right direction.
While loving music would possibly not be crucial in a record company accountant’s position, it’s practically needed for anyone that works with artists or in promotion. Typically , most roles in the music business need at least a 2 year university degree – with the exception of performers who has the ability to get by without a degree if they have talent.
Expect the more concerned the job, the higher your level of education and / or experience will have to be. A record promoter might need to demonstrate networking talents or developed contacts in the local music scene, as an example, and a contracts lawyer will glaringly need a law degree. Music teachers working for the colleges will have to have a teaching license as well as the demonstrated capability to play an instrument. For positions like band executive, road work, publicists and promoters, the best coaching is thru an internship or thru your own work promoting and / or handling a band on your own.
Some publicists and promoters come to the job from their own fanzines, or have developed a network of contacts in radio and advertising thru their school or teenager year extracurricular activities.
A degree in music is respected in several music business roles.
Schools focusing on music education like the Berklee College for the Performing humanities offer coaching in numerous different facets of the music biz. You can study music and performance law, accounting for the music business, and business management for music corporations as well as composition, performance and other music-specific roles. One of the finest coaching grounds for a vocation in classical music is your college or varsity band. If you are already outside the college years, use county and town music societies to both train your ear and keep in the practice of playing with others. If you have got a calling to a job in music ministry, you will find that many churches and synagogues require that their full time music minister have pastoral coaching as well as musical coaching.
The Yank Guild of Organists and the nation’s Council of Pastoral Musicians offer pro authentications at a number of levels. Music consultants need a BSc in music treatment from one of the authorized colleges that teach music therapy. As well as regular studies, the bachelors in music treatment needs 1200 hours of clinical practice.
The necessities for coaching for music business roles are varied, but this is a quick outline of the coaching required for some of the major careers in the music biz.
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October 1st, 2009 by admin
Nowadays, royalty free music is really easy to find if you know where to look. Using the internet you will be impressed by the number of tracks you can use for your own musical purposes without having to pay for them. If you need a soundtrack for your video, there’s no problem, all you need to find is royalty free musing and, if you know where to look, you will surely find what you need.
If you want some music for you website, the safest choice you can make is use royalty free music. Unless you just bought yourself a nice reason drum kit and you’re some kind of a musician, using royalty free music for your projects is a really good idea.
As modern music is almost entirely copyrighted, using one of the many royalty free music resources on the internet is really convenient.
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September 1st, 2009 by admin
Native Instruments, the German music powerhouse, is now readying Komplete 6 and Guitar Rig 4 for debut this Fall. The Komplete 6 announcement should hit any day now with Guitar Rig 4 to follow.
Native Instruments is not one to sit back on their heels when it comes to holding onto their dominance in a particular category and it appears, from the rumors we’re hearing as of late, that they want to keep their lead in the computer-based guitar effects realm. With increased competition coming from all angles, NI obviously wants to stay ahead of the pack. Each one of the Guitar Rig updates has been a huge improvement over the prior version, so expect something special.
When NI dropped the price of Komplete 5 over the Summer, it didn’t take much of genius to figure out that a new version was on the horizon. Now comes word that the new Komplete 6 will hit shelves sometime in the next couple of weeks.
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August 1st, 2009 by admin
Looks like our intel was spot on yesterday: Native Instruments has officially announced Guitar Rig 4 Pro, the next generation of its excellent, computer-based guitar effects action. The fourth version features advanced new speaker emulation technology, and further expands on many other of the product’s attributes.
Guitar Rig 4 Pro introduces advanced cabinet and microphone modeling, providing an enhanced organic tone based on latency-free convolution technology. The advanced speaker emulation is also the basis for the versatile new “Control Room” module, developed in collaboration with leading German studio guitarist and recording expert Peter Weihe. This new module allows users to freely mix and match up to eight phase-aligned studio microphones for each cabinet, allowing an unlimited range of high-end studio recording tones.
To further expand its comprehensive arsenal of carefully modeled amplifiers, Guitar Rig 4 Pro offers two additional tube amp models that include the hot-rodded “Hot Plex” and the energetic “Jump”, both based on Native Instruments’ sophisticated Dynamic Tube Response technology.
The comprehensive arsenal of effects in Guitar Rig 4 Pro is complemented with two new delay units and two new flavors of reverb, bringing the overall number of included effects to 48.
Musicians who use Guitar Rig for live performance benefit from the new, dedicated master effects section, which enables popular stage configurations that can now include global equalizers as well as overlapping delays and reverbs. For recording purposes, Guitar Rig 4 Pro also introduces true-stereo processing across the whole signal chain, which greatly accommodates the usage of the software as a universal effect unit for stereo signals.
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July 1st, 2009 by admin
Serato, the New Zealand concern, has announced the sequel to ITCH, dubbed, wait for it, wait for it, ITCH 2. The second generation software introduces modular
components, effects, and indicates a new road map for the digital mixing software.
With ITCH 2, and Vestax officially announcing the VFX-1, Serato is now set to finally bring effects to their DJ software. The Vestax VFX-1 has a powerful range of effects that are hosted within Serato ITCH 2.0, and will be the very first product that will showcase Serato DJ effects. (Note: Serato has not announced exactly what effects will be available —Ed.)
The Vestax VFX-1 is styled to match the popular Vestax VCI-300 but will also work with other ITCH DJ controllers. “The focus of the ITCH project has been the development of future DJ controllers. The second generation ITCH components allow for a more customizable setup for professional DJs. They also compliment the current all-in- one ITCH hardware for those wanting a more advanced DJ rig, “ stated Serato’s Sam Gribben.
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July 1st, 2009 by admin
Novation has premiered two new Nocturn keyboard controllers based on their small DJ controller. With the addition of 25 and 49 note keyboards, Nocturn’s controller layout has been adapted to a full control solution for DAW users.

The Nocturn Keyboard displays control information where you really need it: on your computer monitor. The Automap software graphically displays Nocturn Keyboard’s entire control surface, enabling you to assign parameters by simply clicking on them. The controllers themselves also tell you what’s happening: LED rings around the eight encoders show their current settings, while LEDs behind the 25 buttons show if they are on or off.
Nocturn Keyboard has been designed as a musical instrument as well as a control surface. The high-quality Fatar ‘Fast Touch’ keyboard mechanism, with velocity-sensitivity and aftertouch, allows for more expressive playing styles, suiting both stage and studio performance. There are separate pitch bend and modulation wheels, as well as eight velocity sensitive drum pads for sketching drum patterns and triggering samples.
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